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Brain MacNamarra, Jamie Mahon, Joe Tagg
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"Down the Way"
CATALOG NO: rqtz141

Full Length CD,$12.99

TRACKLISTING
1) Everyday 2) R.U.B.A. 3) I Get High 4) Kill Dr. Strange 5) The Villas 6) All the Pretty Girls 7) A. Clean X. 8) I am the King 9) Dire Straits 10) Gold Medal Moment
DOWNLOADABLE MP3S

Everyday

R.U.B.A.
"Taking Northern Liberties"
CATALOG NO: rqtz083

Full Length CD,$12.99

TRACKLISTING
1) Philly Blues 2) Jack the Tripper 3) I'll Feel Better Today 4) A Stem Too Far 5) Waiting For Mary 6) My Stoned Ass 7) Been Done Trying 8) Ride in Style (The Fish Song) 9) Whorehouse and Suicide 10) Manned Space Flight 11) I Believe
DOWNLOADABLE MP3S

Philly Blues

"Change Is On Its Way"
CATALOG NO: RQTZ066

Full Length CD,$12.99

TRACKLISTING
(1) Mr. Fantastic (2) Raga (Prelude) (3) Little Dove (4) j.b.n. (5) Right On Time (6) A Spanish Love Song (7) A Red Shirt Today (8) What I Feel (9) Happy New Year (10) Sugar Creek Road (11) Mary’s Poppin’ (12) Ostinato Raga (13) The Island Song
DOWNLOADABLE MP3S

Little Dove

Mary's Poppin'
 
BIOGRAPHY
 

THEN

Back in the summer of '97 Philadelphia based psychedelic rock combo The Three 4 Tens released their first EP titled Throwback Move With The Three 4 Tens (Lounge Records). After a few summers touring, releasing singles and contributing tracks to compilations, most notably the Sounds Of Psychedelphia also released on the now defunct Lounge Records imprint, the band then began work on their debut album.

In the spring of 2000, recording was underway on their first long-player Change Is On Its Way with producer Paul Smith behind the board. Originally self released the album eventually found its way to File 13 records and was re-released in April of 2001. Online indie-zine Pitchforkmedia said this of the recording "The Three 4 Tens have somehow managed to procure a working flux capacitor. And in a truly devious move, they've used it to travel to 1967 and steal the master tapes to the newly completed full-length of some poor, unsuspecting garage band. This stuff just sounds way too authentic."   

That same album caught the attention of NYC based guitar jangle pop label Rainbow Quartz Records who then decided to license and release the record, with three bonus cuts, around Europe.

NOW

The Three 4 Tens sophomore recording, Taking Northern Liberties, named after the Philly neighborhood where the band resides, is like a dose of The Strokes on blotter acid meets Paul Revere and The Raiders, blending elements of The Doors, Steppenwolf and Iron Butterfly.  Their live show is a lava lamp psychedelic rave-up that only rivals the legendary Feelies.

The new album was recorded with the help of long time producer and friend Paul Smith.
Band member Joe Tagg notes: "(Paul) tried to keep it fresh by not having a lot of preproduction done. There's a lot of improv, which kept it entertaining for us."

Taking Northern Liberties is a document in time, a musical outlet for the band's surroundings. Joe Tagg remembers: "First off, we recorded the entire album in the winter. Up until this one, we've mostly recorded in spring and summer. Not to mention, it was one of the worst winters we've ever had. I think that contributed to some of the more darker/somber moments on the album."

Over the years a long list of musicians have been Three 4 Tens members, however the core of the band has remained almost intact.  The Three 4 Tens are: Joe Tagg (guitar/vocal), Jamie Mahon (bass/vocal), the final piece of the puzzle was guitarist Brian McNamara (guitar/vocal) who returned to the fold in the fall of 2002.  Ex-Burning Brides drummer Mike Ambs recently joined the band.

The band has toured extensively in the United States sharing the stage with the likes of The Strokes, Black Rebel Motorcycle Club, The Warlocks, Brian Jonestown Massacre and the Burning Brides, among others.

UPCOMING SHOWS
No shows Scheduled
PRESS QUOTES

+ Guiter Magazine (UK)

Psychedelic, garage rock from this Philadelphia-based three piece, so authentically 1967 you might wonder why you don't just listen to an original recording - but then The Three 4 Tens' live show is supposed to be a jaw-dropping affair. Three-part harmonies, Ray Manzarek's organ riffs, basslines nicked from 'Have Love Will Travel'...you name it, they've appropriated it, And a damn good job they've done of it too!

+ Philly City Paper

Once a breezy, sleazy band with only a hint of '60s kitsch and British Invasion menace, The Three 4 Tens were retro without being camp, cool without being coy, psychedelic without getting all heavy about it. But, if 2001's Change is on its Way was windy and trippy, the new Taking Northern Liberties (Rainbow Quartz) is dense and paranoid -- upping the menace while maintaining the breezy saltiness. Joe Tagg's vocals and his guitar jangle team up with on-again six-stringer Brian McNamara. By busying themselves between records with their brethren in Boyd of London and Marah, T4T tightened its playing and sound -- a spare, trash-compacted roar courtesy longtime producer Paul Smith. The wind-less ambience gives bassist Jamie Mahon, new drummer Mike Ambs (ex-Burning Brides) and the Ian-Maclaghlan-like keys of Mark Boyce an equal chance to shine on the twinkling "A Stem Too Far" and a house-heady "I Believe." And the band has learned the value of the rock epic, taking on "My Stoned Ass" as if approaching "The Sabre Dance." The Three 4 Tens have made the album their live shows proved they could. Let's see if they up that ante too.

+ Pitchforkmedia.com

"The Three 4 Tens have somehow managed to procure a working flux capacitor. And in a truly devious move, they've used it to travel to 1967 and steal the master tapes to the newly completed full-length of some poor, unsuspecting garage band. Sure, their story-- that they formed in Philly in 1996 and released a seven-song EP and a couple seven-inches soon thereafter, and that this is their bona fide "debut album"-- may sound convincing, but I don't buy it for a second. This stuff just sounds way too authentic."

+ Pop Matters

"...With an album title like Change Is on Its Way, Three 4 Tens take a surprisingly retro approach to their music. Reflecting and reveling in the past while still looking forward to the future, Three 4 Tens delight in the honesty of the earlier sound of the first British Invasion, where rock was more art than commercial commodity."
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